Robert Townsend’s classic send-up of Hollywood racism remains eternally timely, if more than a little dated.
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Adam Sandler dipped a toe into the murky waters of the mismatched buddy cop comedy with 1996’s Bulletproof. The result was quite poor.
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You kind-hearted sadists had me and Clint watch the shockingly not-terrible 1994 Damon Wayans superhero comedy Blankman, a surprisingly charming little sleeper with some good gags and an appealingly innocent, child-like sensibility
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