Natalie Wood’s offscreen life as one of Hollywood’s most triumphant and tragic child actors lends a meta-textual resonance to her fascinating flop Inside Daisy Clover.
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Like so many great directors of the 1970s, satire and sports specialist Michael Ritchie’s career got off to a great start with a classic debut (1969’s Downhill Racer) and a muddled dud of a final film (The Fantastiks)
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