One of you glorious sadists paid me a hundred dollars to watch a Cosmopolitan-themed Hillary Duff vehicle from 2010 whose hilariously regressive gender politics belong somewhere in the pre-Cosmopolitan 1950s.
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One of you wonderful weirdoes paid me to see Champagne and Bullets, an amazing piece of outsider art that suggests Tommy Wiseau remaking Cobra with plenty of Manos: The Hands of God and Miami Connection thrown in for good measure.
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Diversity used to be seen as good. Why is it now considered the greatest evil? Other than Woke?
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The 51st state shit was never funny but now it’s looking increasingly psychotic.
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My journey through Vinyl, Mick Jagger and Martin Scorsese’s ill-fated rock and roll drama continues with a look at its fourth episode, “The Racket.”
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Charles Schulz spent four years making It’s the Girl in the Red Truck, Charlie Brown, a live-action/animation hybrid starring his own daughter Jill and Snoopy’s unpopular brother Spike. It did not go well.
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I am very bad with money, and in way too much debt, but I have a strategy to make things better.
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I finally got around to seeing 2019’s Star Wars: Rise of Skywalker and it’s so bad that it’s making me re-think my decision to devote my life to Star Wars fandom.
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I understand why Rosie O’Donnell moved to Ireland to avoid Trump but I wish she didn’t give the MAGA mob the satisfaction of successfully chasing her out of the country.
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