In the first Great Catch-Up piece in a very long time I write admiringly of 2017’s overachieving The Cult of Chucky.
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Brad Dourif was very nearly not the voice of Chucky and other near misses.
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One of you kind souls paid me to re-experience the exquisite absurdity of Richard Rush’s gloriously kooky 1994 erotic thriller Color of Night.
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The riveting, shockingly sensitive TV adaptation Chucky illustrates what makes the Child’s Play franchise so unexpected and essential.
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By the fifth film in the original series, the Child’s Play franchise had gotten ridiculously silly in a most delightful, meta kind of way.
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It doesn’t get much better, or much crazier, than Werner Herzog’s 2009 masterpiece Bad Lieutenant: Port of Call New Orleans.
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My patron-funded exploration of the films of Virginia Madsen continues with a fond look back at David Lynch’s 1984 adaptation of Dune, which I deemed a Fiasco when I covered it for My World of Flops but that I now adore.
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My patron-funded jaunt through the films of Rebecca Gayheart continues with a seedy morality tale in which Peter Weller plays the devil and Balthazar Getty his protege in all things wicked.
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It’s Scream, except with urban legends instead of movies. And also terrible.
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