In the first entry in the Nathan Rabin's Happy Place Literature Society we explore Mayte Garcia's poignant, powerful memoir of her life with ex-husband Prince.
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White folks on TikTok are at it again.
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Madonna challenged herself with a brutal lead role in Dangerous Game, Abel Ferrara’s seedy 1995 show-business melodrama but delivered her usual terrible performance.
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My patron-funded exploration of the films of David Bowie continues with the bizarre, bizarrely racist Luc Besson-directed 2006 animation/live-action hybrid Arthur and the Invisibles, a fascinatingly misbegotten project with a voice cast that includes Bowie, Robert De Niro, Madonna, Harvey Keitel, Jason Bateman, Jimmy Fallon and Snoop Dogg.
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Madonna stumbled yet again with 2000’s The Next Best Thing, a well-intentioned attempt to forthrightly address gay issues in a way that’s equally insulting and inept.
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His patients, tragically, die before they can pay!
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One of you kind souls paid me to explore the many nadirs of Madonna’s film career, including the mind-bogglingly abysmal 1986 adventure romance Shanghai Surprise.
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One of y’all generous souls paid me a cool seventy-five dollars to revisit one of the many, many nadirs in Madonna’s film career, the screamingly unfunny 1987 comedy Who’s That Girl
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One of you kind souls paid me seventy five dollars to re-experience Dick Tracy, the cinematic sensation of 1990 and a delightful exercise in escapism that holds up pretty damn well.
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One of you generous sadists had me re-watch co-writer/director Madonna’s ridiculous vanity project about Wallis Simpson and a horny contemporary woman who falls deep into lust with a hunky security guard played by a pre-stardom Oscar Isaac. It was quite poor.
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