A Larry Charles-directed satire about an American who thinks God wants him to kill Osama Bin Laden promised to be different than most of the films Nicolas Cage made around this period. Astonishingly the difference is that it’s even worse!
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We close our exploration of Al's second album with the song that invented horrorcore (in my mind at least) and an exploration of why we like being scared, in entertainment, at least.
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