For the landmark 250th entry in the column that let’s YOU choose the movies I watch and write about, I wrote about Quentin Tarantino’s Once Upon a Time in Hollywood. What a picture!
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A patron-funded side-quest on Wilford Brimley gets off to a rollicking start with a lusty appreciation of John Woo’s kick-ass 1993 American debut Hard Target.
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My patron-funded exploration of the complete filmography of Virginia Madsen with a look at the muddled 1985 romantic comedy-drama, which was sold as a romantic comedy about Peter O’Toole trying to resurrect his dead wife but is actually more about Vincent Spano dealing with a girlfriend in a coma.
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My patron-funded exploration of the films of Rebecca Gayheart hits another low point with the dreary 2017 crime drama Grey Lady, starring Gayheart and her then-husband Eric Dane, AKA Grey’s Anatomy’s McSteamy.
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My patron-funded exploration of the films of Virginia Madsen continues with a fond look back at David Lynch’s 1984 adaptation of Dune, which I deemed a Fiasco when I covered it for My World of Flops but that I now adore.
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My patron-funded exploration of the films of Rebecca Gayheart explores 2013’s G.B.F., a sweet but heavy-handed teen sex comedy that reunited her with the writer-director of Jawbreaker.
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The screenwriter of Scarface and Conan the Barbarian turns his attention to the plight of a strong-willed Vietnamese woman whose life is shaped and molded by war in the 1993 biopic Heaven and Earth, a real outlier in the filmmaker’s otherwise macho filmography.
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Why, for the love of all that is holy, is David Bowie in this cockamamie film?
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Moral ambiguity is the name of the game as Bruce and Terry deal with morally conflicted android Zeta and Stalker, a foe turned ally from their past in my latest look at the cult cartoon Batman Beyond.
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