The hyper-violent, sex-obsessed Spike TV Adult Party Cartoon incarnation of Ren & Stimpy was less a fun, raunchy reboot than a crime against humanity.
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Why must Terry Gilliam the man ruin Terry Gilliam the great artist?
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I can’t say I was surprised when I learned that production on Aziz Ansari’s directorial debut was halted due to something Bill Murray did, as it’s very much in character for the famously, disconcertingly unpredictable comic icon.
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Generations of straight white men grew up admiring Hugh Hefner, who turned out to be a giant creep, sex criminal and possible bestiality enthusiast.
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The allegations against Joss Whedon once again raise the eternal question, how do you separate the art you love from eminently hate-worthy creator or creators?
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One of you kind souls paid me to see The Ninth Gate, a spectacularly silly Roman Polanski thriller about a book detective searching for a book adapted from a book by a very special author: the devil.
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With a new Ren & Stimpy in the works without John K, it seems like a good time to explore the dramatic downside to our cultural cult of the creator.
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A controversial recent photograph of two former favorites, Louis CK and Dave Chappelle, has me feeling all kinds of feelings, most of them overwhelmingly negative.
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Who even is Eminem in 2020, other than increasingly irrelevant artist still peddling shock deep into middle age?
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Not even prison can curb Bill Cosby’s harsh judgmental streak, distressingly, if predictably enough.
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