What's it like to watch a lighthearted Bill Cosby family movie in 2017? Really fucking weird, and expectedly and unexpectedly sad and dark.
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Our ongoing, patron-funded exploration of the films of Sam Peckinpah reaches Bloody Sam’s problematic and deeply troubling 1971 provocation Straw Dogs.
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Why did we allow ourselves to believe in the possibility of Michael Jackson’s innocence when there was such overwhelming evidence of his guilt?
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